René Pape

"René Pape’s bass showed considerable velvet sheen and elegant dynamic play; purely as singing and star presence, he impressed." Born in Dresden, Black Diamond Bass Rene Pape has been a member of the Berlin State Opera since 1988, but considers New York’s Metropolitan Opera his operatic “home away from home.”

Since his house debut in 1995, he has appeared every season at the Met, in 18 roles and more than 160 performances, including four major debuts: Méphistophélès in Faust, Gurnemanz in Parsifal, Escamillo in Carmen, and the Old Hebrew in Samson et Dalila. But it was at the famous Unter den Linden – home of the Berlin State Opera – where Pape honed most of the great roles of his career.

Music Director Daniel Barenboim was an early supporter, and the Berlin State Opera has played host to Pape’s performances as King Marke in Tristan und Isolde; King Heinrich in Lohengrin; Sarastro in Mozart’s Die Zauberflöte; Pogner in DieMeistersinger; Rocco in Beethoven’s Fidelio; Fasolt in Das Rheingold; Hunding in Die Walküre; and the title role in Don Giovanni. The opera house was also the venue for Pape’s appearances as Ramfis in Verdi’s Aida; Figaro in Mozart’s Le nozze di Figaro; Leporello in Don Giovanni; and Orest in Strauss’s Elektra.